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Texte von Robert C. Allen

  • "Traffic in Souls." In: Sight and Sound 44:1 (1974/75), S.50-52
  • "William Fox Presents Sunrise." In: Quarterly Review of Film Studies 2:3 (1977), pp.327-338
  • "Contra the Chaser Theory." In: Wide Angle 3:1 (1979), S.4-11
  • "Motion Picture Exhibition in Manhattan 1906-1912. Beyond the Nickelodeon." In: Cinema Journal 18:2 (1979), S.2-15
  • "Vitascope/Cinématographe. Initial Patterns of American Film Industrial Practice." In: Journal of the University Film Association 31:2 (1979), S.13-18
  • Vaudeville and Film, 1895-1915. A Study in Media Interaction. New York 1980
  • "The Archeology of Film History." In: Wide Angle 5:2 (1982), S.4-13
  • "On Reading Soaps: A Semiotic Primer." In: Regarding Television: Critical Approaches - An Anthology, hg.v. E.A.Kaplan, Los Angeles 1983
  • mit D.Gomery: Film History. Theory and Practice. New York 1985
  • Speaking of Soap Opera. Chapel Hill 1985
  • Channels of Discourse. London 1987
  • "From Exhibition to Reception. Reflections on the Audience in Film History." In: Screen 31:4 (1990) , S.347-356
  • "`The Leg Business´: Transgression and Containment in American Burlesque." In: Camera Obscura Nr.23 (1990), S.43-69
  • Horrible Prettiness. Burlesque and American Culture. Chapel Hill 1991
  • "Manhattan Myopia: or, Oh! Iowa!" In: Cinema Journal 35:3 (1996), S.75-103
  • "Home alone together. Hollywood and the `family film´." In: Identifying Hollywood´s Audiences, hg.v. M.Stokes u. R.Maltby, London 1999, pp. 109-131
  • mit S.Ishii-Gonzales (Hg.): Alfred Hitchcock Centenary Essays. London 1999
  • mit Annette Hill (Hg.): The Television Studies Reader. New York 2004
©  2000 – 2006  by   Daniel Kälberer  —  Last Update:  4.8.2006