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Texte von Richard Abel

  • "The Contribution of the French Literary Avant-Garde to Film Theory and Criticism (1907-1924)." In: Cinema Journal 14:3 (1975), pp.18-40
  • "Louis Delluc: The Critic as Cinéaste." In: Quarterly Review of Film Studies 1:2 (1976), pp.205-244
  • "Paradigmatic Structures in Young Mr.Lincoln." In: Wide Angle 2:4 (1978), pp.20-26
  • "Added Attraction Notorious: Perversion Par Excellence." In: Wide Angle 1:1 (1979rev.exp.), pp.66-71
  • "Jean Epstein´s La Chute de la Maison Usher: Reversal and Liberation." In: Wide Angle 3:1 (1979), pp.38-45
  • "Charge and Counter-Charge: Coherence and Incoherence in Gance´s Napoleon." In: Film Quarterly 35:3 (1982), pp.2-14
  • "Abel Gance´s Other Neglected Masterpiece: La Roue (1922-1923)." In: Cinema Journal 22:2 (1983), pp.26-41
  • "On the Threshold of French Film Theory and Criticism, 1915-1919." In: Cinema Journal 25:1 (1985), pp.12-33
  • French Cinema. The First Wave. Princeton 1987
  • "Before Fantômas: Louis Feuillade and the Development of Early French Cinema." In: Post Script 7.1 (1987), pp.4-26
  • French Film Theory and Criticism, 1907-1939. Princeton: UP, 1988 (2 Vols.)
  • "Scenes from Domestic Life in Early French Cinema." In: Screen 30:3 (1989), pp.4-28
  • "Booming the Film Business: The Historical Specificity of Early French Cinema." In: French Cultural Studies 1:1 (1990)
  • "Pathé´s Stake in Early Russian Cinema." In: Griffithiana No.38/39 (1990), pp.242-247
  • "The `Blank Screen of Reception´ in Early French Cinema." In: Iris No.11 (1990), pp.27-48
  • "The Eclair Film Company." In: Griffithiana No.44/45 (1992), pp.5-14
  • "The Eclair Trademark from Nick Carter to Zigomar." In: Griffithiana No.47 (1993)
  • "In the belly of the beast: the early years of Pathé-Frères." In: Film History 5:4 (1993), pp.363-385
  • The Ciné Goes to Town. French Cinema 1896-1914. Berkeley, Los Angeles 1994
  • "Don´t know much about history«, or the (in)vested interests of doing cinema history." In: Film History 6:1 (1994), pp.110-115
  • "French Cinema in `The Year of Grace or Disgrace´: 1913." In: Griffithiana No.50 (1994), pp.59-73
  • "`Pathé Goes to Town´: French Films Create a Market for the Nickelodeon." In: Cinema Journal 35:1 (1995), pp.3-26 [dt. in: KINtop Nr.10 (2001), S.11-38]
  • "The Perils of Pathé, or the Americanization of Early American Cinema." In: L.Charney / V.R.Schwartz (Eds.): Cinema and the Invention of Modern Life, Berkeley 1995, pp.183-223
  • "A Crisis in Crossing Borders, or How to Account for French `Bad Taste´." In: R.Cosandey / F.Albéra (Eds.): Images across Borders, Lausanne 1995, pp.299-313
  • (Ed.): Silent Film. London 1996, pp.109-124
  • "The Thrills of Grande Peur: Crime Series and Serials in the Belle Epoque." In: The Velvet Light Trap No.37 (1996), pp.3-9
  • "Exploring the Discursive Field of the Surrealist Film Scenario Text." In: R.F.Kuenzli (ED.): Dada and Surrealist Film, Cambridge/MA 1996, pp.58-71
  • "Guarding the Borders in Early Cinema: The Shifting Ground of French-American Relations." In: J.Fullerton (Ed.): Celebrating 1895: The Centenary of Cinema, Sydney 1998, pp.45-54
  • "`Our Country´/Whose Country? The `Americanisation´ Project of Early Westerns." In: E.Buscombe / R.E.Pearson (Eds.): Back in the Saddle Again, London 1998
  • The Red Rooster Scare. Making Cinema American, 1900-1910. Los Angeles, Berkeley, London 1999
  • with Rick Altman (Eds.): The Sounds of Early Cinema. Bloomington 2001
  • "A Marriage of Ephemeral Discourses: Newspapers and Moving Pictures." In: Cinema & Cie No.1 (2001), pp.59-83
  • "Frame Stories for Writing the History of French Silent Cinema." In: Studies in French Cinema 2:1 (2002), pp.5-13
  • "The Men and Women who made French Cinema." In: M.Temple / M.Witt (Eds.): The French Cinema Book, London 2004, pp.18-33
  • "The `Imagined Community´ of the Western, 1910-1913." In: C.Keil / S.Stamp (Eds.): American Cinema´s Transitional Era, Berkeley 2004, pp.131-170
  • "Finding the French on American screens, 1910–14." In: J.Fullerton (Ed.): Screen Cultures, Sydney 2004
  • "The `Culture War´ of Sensational Melodrama, 1910-14." In: Y.Tasker (Ed.): Action and Adventure Cinema, London 2004, pp.31-51
  • "»History Can Work for You, You Know How to Use It«." In: Cinema Journal 44:1 (2004), pp.107-112
  • "The passing (picture) show in the industrial heartland: the early 1910s." In: J.Fullerton / J.Olsson: Allegories of Communication, Eastleigh/UK: John Libbey Publ., 2004, pp.321-342
  • (Ed.): Encyclopedia of Early Cinema. London: Routledge, 2005
  • "Memory Work: French Historical Epics, 1926-1927." In: Film History 17:2-3 (2005), pp.352-362
  • Americanizing the Movies and `Movie-Mad´ Audiences, 1910-1914. Berkeley: U.of California Pr, 2006
  • "Fan discourse in the heartland: the early 1910s." In: Film History 18:2 (2006), pp.140-153
©  2000 – 2007  by   Daniel Kälberer  —  Last Update:  24.3.2007