New Publications and Articles / New Terms and Topics

  10 / 2005:

Journals
• Film History 17:1: `Local Film´.
• Cinema Journal 44:3: G.A.Waller: "Imagining and Promoting the Small-Town Theater" (Movie Theaters; Local Reception) / J.D.Slocum: "Cinema and the Civilizing Process: Rethinking Violence in the World War II Combat Film" / Articles on "Young Mr.Lincoln and American Law" (by V.W.Wexman) and "The Birds and the Culmination of Hitchcock´s Hyper-Romantic Vision" (by J.P.McCombe).
• Historical Journal of Film, Radio and Television 25:2: articles (a.o.) on "The `Dark Prince´ and Dream Women: Walt Disney and Mid-Twentieth Century American Feminism" (by A.M.Davis), "Elia Kazan´s First Testimony to the House Committee on Un-American Activities" (by B.Neve) and "The International Reception of Early Soviet Sound Cinema" (by J.Hicks).
• The Velvet Light Trap No.55: `Defining the Americas: Media within/across Borders´ with K.Hillis´ "Film Noir and the American Dream: The Dark Side of Enlightenment" and V.Sturtevant´s: "Spitfire: Lupe Vélez and the Ambivalent Pleasures of Ethnic Masquerade".
• Film Quarterly 58:4: V.Sobchack: "When the Ear Dreams: Dolby Digital and the Imagination of Sound" / J.-P.Geuens: "The Grand Style" / Reviews of Jane Campion´s In the Cut and Zhang Yimou´s Hero.

Books
• Jan Siebert: Flexible Figuren. Medienreflexive Komik im Zeichentrickfilm. Bielefeld: Aisthesis, 2005
• Thomas Meder: Produzent ist der Zuschauer. Prolegomena zu einer historischen Bildwissenschaft des Films. Berlin: Bertz + Fischer, 2005 (E-Book) // Thomas Koebner, Fabienne Liptay, Thomas Meder (Hg.): Bildtheorie und Film. München: edition text+kritik, 2005
• Paolo Cherchi Usai (Ed.): The Griffith Project vol IX. Films Produced in 1916-1918. London: bfi, 2005
• Michaela Ott: u.a. Hollywood. Phantasma / Symbolische Ordnung in Zeiten des Blockbuster-Films. München: edition text+kritik, 2005
• Jan Distelmeyer (Hg.): Spaß beiseite. Jüdischer Humor, `Arisierung´ und verdrängendes Lachen. München: edition text+kritik, 2005
• Rowland Wymer: Derek Jarman // Tom Ryall: Anthony Asquith // Michael Temple: Jean Vigo - all by: Manchester UP 2005
• Wendy Everett and Axel Goodbody (eds): Revisiting Space. Space and Place in European Cinema. Frankfurt/M etc.: Peter Lang, 2005
• Anikó Imre: East European Cinemas. London & New York: Routledge, 2005
• Tania Modleski: The Women Who Knew Too Much. Hitchcock and Feminist Theory. London & New York: Routledge, 2005^{new ed.} // John Orr: Hitchcock and Twentieth-Century Cinema. London: Wallflower, 2005
• Brütsch/Hediger/Schneider/Tröhler/v. Keitz (Hrsg.): Kinogefühle: Emotionalität und Film. Marburg: Schüren, 2005 // Margrit Frölich/Reinhard Middel/Karsten Visarius (Hg.): Außer Kontrolle. Wut im Film. Marburg: Schüren, 2005 (Arnoldshainer Filmgespräche Bd. 22)
• Harro Segeberg u. Frank Schätzlein (Hg.): Sound. Zur Technologie und Ästhetik des Akustischen in den Medien. Marburg: Schüren, 2005
• Christian Wessely, Franz Grabner u. Gerhard Larcher (Hg.): Michael Haneke und seine Filme: Eine Pathologie der Konsumgesellschaft. Marburg: Schüren, 2005
• J.David Slocum (Ed): Rebel Without a Cause. Approaches to a Maverick Masterwork. Albany/NY: SUNY Pr. 2005
• Johannes von Moltke: No Place Like Home. Locations of Heimat in German Cinema. Berkely: U.of California Pr., 2005
• Philip Parker: Die Kreative Matrix. Kunst und Handwerk des Drehbuchschreibens. Konstanz: UVK, 2005
• Beate Völcker: Kinderfilm. Stoff- und Projektentwicklung. Konstanz: UVK, 2005
• Paul Ward: Documentary. The Margins of Reality. London: Wallflower, 2005
• Toby Haggith and Joanna Newman (Eds.): Holocaust and the Moving Image. Representations in Film and Television Since 1933. London: Wallflower, 2005
• Stacy Gillis (Ed.): The Matrix Trilogy. Cyberpunk Reloaded. London: Wallflower, 2005 (s.Andy and Larry Wachowski)
• Mark Shiel: Italian Neorealism. Rebuilding the Cinematic City. London: Wallflower, 2005
• Peter Krämer: The New Hollywood. From Bonnie and Clyde to Star Wars. London: Wallflower, 2005
• Milly Williamson: The Lure of the Vampire. Gender, Fiction and Fandom from Bram Stoker to Buffy. London: Wallflower, 2005
• Steven Jay Schneider and Tony Williams (Eds.): Horror International. Detroit: Wayne State UP, 2005