New Publications and Articles / New Terms and Topics

  No. 02 / 2007 (April):

Books
• Jerold J.Abrams (Ed.): The Philosophy of Stanley Kubrick. UP of Kentucky
• Ernesto R.Acevedo-Muñoz: Pedro Almodóvar. British Film Institute
• Doris Agotai: Architekturen in Zelluloid: Der filmische Blick auf den Raum. transcript Verlag
• Steven Bach: Leni: The Life and Work of Leni Riefenstahl. Knopf
• Michael Barrier: The Animated Man: A Life of Walt Disney. Univ.of California Press
• Catherine L.Benamou: It's All True: Orson Welles's Pan-American Odyssey. Univ.of California Press (see on Welles´ Movies)
• S.Torriano Berry / Venise T.Berry: Historical Dictionary of African American Cinema. Scarecrow
• Birgit Beumers (Ed.): The Cinema of Russia & the former Soviet Union. Wallflower Press
• Steve Blandford: Film, Drama and the Break-Up of Britain. Intellect
• Giuliana Bruno: Public Intimacy: Architecture and the Visual Arts. The MIT Press
• Bert Cardullo (Ed.): Satyajit Ray: Interviews. UP of Mississippi
• Carlo Celli / Marga Cottino-Jones: New Guide to Italian Cinema. Palgrave Macmillan
• James Chapman: License to Thrill: A Cultural History of the James Bond Films. I.B.Tauris (new ed.)
• James Chapman / Mark Glancy / Sue Harper (Eds.): The New Film History: Sources, Methods, Approaches. Palgrave Macmillan
• Rey Chow: Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility. Columbia UP
• Darrell William Davis / Ru-shou Robert Chen (Eds.): Cinema Taiwan: Politics, Popularity and State of the Arts. Routledge
• Beate Engelbrecht (Ed.): Memories of the Origins of Ethnographic Film. Peter Lang Publ.
• Jonathan C.Friedman: Rainbow Jews: Jewish and Gay Identity in the Performing Arts. Rowman & Littlefield
• Lester D.Friedman (Ed.): American Cinema of the 1970s. Rutgers UP
• Roberta Garrett: Postmodern Chick Flicks: The Return of the Woman's Film. Palgrave Macmillan
• Gerd Gemünden / Mary R.Desjardins (Eds.): Dietrich Icon. Duke UP
• Jeremy Hicks: Dziga Vertov: Defining Documentary Film. I.B.Tauris
• Laura Hubner: The Films of Ingmar Bergman: Illusions of Light and Darkness. Palgrave Macmillan
• Hans Jürgen Kubiak: Die Oscarfilme. Die besten Filme der Jahre 1927-2007. Schüren (see Festivals/Awards)
• Thomas Langkau: Filmstar Jesus Christus: Die neuesten Jesus-Filme als Herausforderung für Theologie und Religionspädagogik. LIT Verlag (see Christianity)
• Sarah Leahy: Casque D'or. I.B.Tauris (see Jacques Becker)
• Stuart Liebman (Ed.): Claude Lanzmann´s Shoah: Key Essays. Oxford UP
• Clive Marsh: Theology Goes to the Movies: An Introduction to Critical Christian Thinking. Routledge
• Geoff Mayer / Keith Beattie (Eds.): The Cinema of Australia & New Zealand. Wallflower Press
• Judith Mayne: Le Corbeau. I.B.Tauris (see Henri-Georges Clouzot)
• Ewa Mazierska: Polish Postcommunist Cinema: From Pavement Level. Peter Lang Publ.
• Todd McGowan: The Impossible David Lynch. Columbia UP
• Todd McGowan: The Real Gaze: Film Theory after Lacan. SUNY Press
• Kathleen McHugh: Jane Campion. Univ.of Illinois Press
• Bill Mesce, Jr.: Overkill: The Rise and Fall of Thriller Cinema. McFarland
• Daisuke Miyao: Sessue Hayakawa: Silent Cinema and Transnational Stardom. Duke UP
• Scott Nygren: Time Frames. Japanese Cinema and the Unfolding of History. Univ.of Minnesota Press
• Valerie Orpen: Cléo de 5 à 7. I.B.Tauris (see Agnès Varda)
• Dayna Oscherwitz / Mary Ellen Higgins: Historical Dictionary of French Cinema. Scarecrow
• R.Barton Palmer (Ed.): Nineteenth-Century American Fiction on Screen. Cambridge UP
• Chloe Paver: Refractions of the Third Reich in German and Austrian Fiction and Film. Oxford UP
• Dana Polan: Scenes of Instruction: The Beginnings of the U.S. Study of Film. Univ.of California Press (see Education)
• Maria Pramaggiore: Irish and African American Cinema. Identifying Others and Performing Identities, 1980-2000. SUNY Press
• Lynn T.Ramey / Tison Pugh (Eds.): Race, Class and Gender in Medieval Cinema. Palgrave Macmillan (see Historical Film)
• Daniel Rosenthal: 100 Shakespeare Films. British Film Institute (see Adapting Individual Writers)
• Laura E.Ruberto / Kristi M.Wilson (Eds.): Italian Neorealism and Global Cinema. Wayne State UP
• Steven Jay Schneider (Ed.): 100 European Horror Films. British Film Institute
• Stefan Schultes: Faszination des Bösen: Orson Welles´ Filme in Hollywood. gardez!
• Deborah Shaw (Ed.): Contemporary Latin American Cinema: Breaking Into the Global Market. Rowman & Littlefield
• Jane Sloan: Reel Women: An International Directory of Contemporary Feature Films about Women. Scarecrow
• Claudia Springer: James Dean Transfigured: The Many Faces of Rebel Iconography. Univ.of Texas Press
• Lisa Odham Stokes: Historical Dictionary of Hong Kong Cinema. Scarecrow
• Rob Stone: Julio Medem. Manchester UP
• Damian Sutton / Susan Brind / Ray McKenzie (Eds.): State of The Real. I.B.Tauris
• Isabelle Vanderschelden: Amélie. I.B.Tauris (see Jean-Pierre Jeunet)
• Tom Weaver / Michael Brunas / John Brunas: Universal Horrors: The Studio’s Classic Films, 1931–1946. McFarland (2nd ed.)
• Gregor J.Weber: »Jeder tötet, was er liebt«. Liebes- und Todesszenen in den Filmen Alfred Hitchcocks. Schüren
• Gary G.Xu: Sinascape:. Contemporary Chinese Cinema. Rowman & Littlefield
• Inuhiko Yomota: Im Reich der Sinne. 100 Jahre Japanischer Film. Stroemfeld